Getting To Know… Danger Foley

Getting To Know… Danger Foley

feeder: Hello Danger Foley! How did you first get into making music?

Danger Foley: I first started making music in summer 2022, when I reached the semi-finals of a competition to perform at the Hollywood Bowl. When I learned the winner had to perform original tracks, I panicked, having no production experience. In a twist of fate, that same night, my Lyft driver turned out to be a music producer and coach. He coached me through the production of three original songs in six weeks, I won the competition, and performed at the Hollywood Bowl, it was life-changing.

f: What was the first dance record you bought?

DF: Michael Jackson’s “Dangerous”, specifically for “Black or White.” It’s still a favourite – insanely catchy with deeper lyrics. 

f: How would you describe your sound?

DF: Visceral. I love blending genres and creating experiences that help people feel deeply connected to their bodies and fully present.

f: Who were your musical influences and did they impact your sound today?

DF: My influences range from Michael Jackson and James Brown, to Biggie, Tupac, Eric Clapton, Eagles, Gary Clark Jr., Leon Bridges, Rage Against the Machine, and Foo Fighters. Each taught me how music can evoke deep emotion. My goal now is translating the music in my head into something tangible, unique and heartfelt.

f: You’ve just released your brilliant new collaboration ‘Season Of The Sun’ with Roland Clark what can we expect to hear?

DF: Expect intentional house music: deep kicks, ethereal synths, evocative piano, and Roland’s heavenly voice tying it all together.

f: What was the inspiration behind the single?

DF: It started from my journey recovering from a car accident that ended my yoga-teaching career, turning a beloved practice into emotional pain. Originally called “Salutation to the Sun,” the track symbolizes choosing movement and hope despite pain. Roland expanded the vision, changing it to “Season of the Sun,” highlighting that seasons, like life, include darkness and stormy days but remain defined by the sun.

f: How did you and Roland link up and will you be working together again in the future?

DF: We met at the Orbit DJ Retreat last fall in Ibiza, instantly connecting through humour and depth. After telling him my song idea, Roland surprised me by writing lyrics that same night, despite a 6 month waitlist for his vocal work. His work beautifully expanded my vision. He’s now a close friend and I’d love to collaborate again.

f: Who else would you most like to work with?

DF: In the house genre, I’d love to collaborate with artists like Above & Beyond, Vandelux, LP Giobbi, Goldfish, and Big Gigantic, not only because they are incredibly talented, but because they are genuinely great people. My ultimate goal is bringing diverse genres into house music, which naturally draws me toward artists outside the typical house scene. My dream collaborations would be with Rick Rubin, Bon Iver or Timbaland.

DF: After years in artist hospitality and live production, I saw how the industry could take advantage of independent artists. Danger Den Records is my way of reclaiming autonomy and fostering genuine creative collaboration. More releases and collaborations are coming soon.

f: The Danger Den is also largely involved in the wellness industry, please tell us a little more about that.

DF: Danger Den started as a homestyle sanctuary for touring friends, offering rehearsal space, saunas, cold plunges, and home-cooked meals. It evolved into a turnkey day retreat with full concierge services to bring in whatever wellness, business or creative experts an artist needs to feel rejuvenated before hitting the stage. We now also host pop-ups at festivals like SXSW and Miami Music Week.

f: ‘Season Of The Sun’ is the first single from your new label Danger Den, so what made you take the plunge into becoming a record label boss and what have you got lined up in the near future?

f: Any plans for a Danger Foley album?

DF: I’m striving to release a full album by 2026, ideally one that’s rich with collaborations. As my skills and experience evolve, my hope is that the music keeps getting better and resonates even more deeply.

f: What’s your studio setup like, and favourite piece of kit?

DF: My DJ rig includes three Pioneer CDJ-3000s, a DJM-V10 mixer, an RMX-1000 remix station, and the DJS-1000 sampler. I also have my production set up where I use Ableton and a variety of MIDI boards. I’m really starting to dig into the magic of the DJS-1000 sampler and am very excited to start bringing it into my live performances.

f: As a DJ, what has been your most memorable gig so far, and where are you most looking forward to playing this summer?

DF:Playing the Hollywood Bowl was unforgettable because of my community’s support. Opening for LP Giobbi at Meow Wolf and performing in Positano, Italy were also epic. This summer, I’m excited for shows in Los Angeles, Denver, and Lisbon.

f: What can we expect from a Danger Foley DJ set?

DF:Expect a journey through Deep House and Nu-Disco, generally between 100 to 130 BPM, tailored to the vibe of the room. My goal is always creating a joyful, deeply connected experience.

f: Who are your 3 favourite current producers?

DF:Right now: Vandelux, LP Giobbi, and Thomas Sagstad from Anamē, who recently started his new project Silkhaus.

f: What else are you currently working on?

DF: I’m collaborating with Thomas Sagstad on a melodic house track and also producing another track blending funk, rock, and house—stay tuned!

Danger Foley, Roland Clark ‘Season Of The Sun’ is out now on Danger Den Records.