Interview FX Logik: Blurring the Lines Between House, Garage & Bass Music

Emerging from the underground with a raw and energetic take on UK Garage and Speed Garage, FX Logik has been crafting his signature sound since the early 2000s. His music reflects a deep appreciation for bass-heavy grooves, infectious melodies, and an eclectic mix of influences, spanning from hip-hop and punk to jazz and synthwave.

As a producer, DJ, and curator of Warp Speed Music, FX Logik has been instrumental in pushing UK Garage in the U.S., organizing events and collaborating with major names in the scene. His latest remix of Aaron Smith’s “Good Day”, out via Gods of Madness, transforms a disco-house classic into a high-energy club anthem, showing his ability to reinvent tracks while keeping their essence alive.

In this interview, FX Logik discusses his creative process, career-defining moments, and the future of UK Garage in the global scene.

f: Your music blends UK Garage, Tech House, and Speed Garage, but you started your journey in the early 2000s. How has your sound evolved over time?

FX Logik: Honestly, it hasn’t changed much. I’ve always been about Speed Garage, but I pull influences from everywhere—heavy metal, skate-punk, jazz-swing, hip-hop, even chip-tunes and synthwave. It all feeds into my sound one way or another.

f: Your latest remix of “Good Day” transforms a disco-house classic into a high-energy, bass-driven club anthem. What was the biggest challenge in reinventing this track?

FX Logik: To be fair, answering this question is harder than making the track. My remix of “Good Day” pretty much wrote itself. The vibe of the original was so strong that once I got my hands on the vocals, it just flowed naturally.

f: You’ve been building a name internationally, working with artists like Huxley and receiving airplay on Sister Bliss’s show. What’s been the most pivotal moment of your career so far?

FL: Truth is, I don’t feel like that pivotal moment has happened yet. I’ve had great opportunities, and I’m grateful for everything, but I still feel like the real shift in my career is ahead, and the best is yet to come.

f: In addition to producing and DJing, you run your own label, Warp Speed Music. What’s your approach to curating and signing artists?

FL: I wouldn’t say I’m “running” a label—more like keeping it alive. Warp Speed is a passion project, not a machine. It’s active enough for shows and releases, but there’s no grand plan. It’s got good intentions, and though it’s a bit dusty, it’s ready to be dusted off at any time and make moves when the time is right.

f: You’ve organized events in Las Vegas, bringing in UK legends like Tom Bull and Hans Glader. How do you see the UK Garage movement growing in the U.S.?

FL: There were some last-minute changes to the Tom Bull show, and it was tough, but we pulled through. Hans Glader was fantastic—super talented, professional, and just a great guy all around. As for UKG in the U.S., it’s growing strong with acts like Sammy Virji, Oppidan, and MPH leading the charge. It’s great to see the genre picking up steam, and they’re definitely making an impact!

f: From your radio show to your live performances, you’re involved in multiple aspects of the music industry. How do you balance your time and maintain creative momentum?

FL: I start each day focusing on music, then shift gears into everything else that keeps things running smoothly. When it’s time to relax, I make sure to spend quality time with my family and have a date night with my wife. Staying balanced means knowing when to take a step back and disconnect when needed.

f: With the upcoming release of “Good Day” on Gods of Madness, do you have any future collaborations or projects in the pipeline that we should watch out for?

FL: I’ve got a collab with Wes Pierce that we’ve been shopping around, just waiting for the right fit. Other than that, I have a stack of remixes lined up with Aaron’s label, Gods of Madness, including tracks with Bridget Flowers, Indiblu, and a few others.

f: Finally, for someone discovering your music for the first time, which track would you recommend as the best introduction to your sound?

FL: I’d say the best is yet to come. Any producer is only as good as their last track, so if someone’s just discovering my music, they should check out “Good Day”—it’s my latest release and a great snapshot of where I am musically. Every track is a new chapter, and the latest one is always the best way to experience my sound at any given moment.