Philosophy of Sound – Moonlights LP [Golden Soul Records]

Philosophy of Sound: The Art of Rediscovery with Moonlights

After a decade-long pause, Philosophy of Sound, helmed by Melbourne-based artist Martin K. Koszolko, returns with Moonlights. Released on Golden Soul Records, this track marks the label’s 100th milestone and brings back Philosophy of Sound’s signature funky-disco vibes, reimagined with fresh collaborations and innovative production techniques.

From its initial conception during a collaboration with Mirror People to its final form shaped by Sebastian Barahona’s guitars and heartfelt vocals, Moonlights is a testament to Martin’s creative journey. With stellar remixes by Pete Herbert and James Rod & Aleito, the release not only celebrates the past but also sets the tone for a promising future.

We spoke to Martin K. Koszolko about the creation of Moonlights, his decade of musical evolution, and what lies ahead for Philosophy of Sound.

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Interview with Philosophy of Sound

Hi Martin, thanks for joining us. After a decade-long break, Moonlights marks your return. Why was now the right time to release this track, and what does it represent to you?
Thank you for having me! Moonlights has always felt special to me. It originated from a collaboration with Mirror People years ago but remained incomplete. Over time, the track grew with contributions from Sebastian Barahona and a vocalist who prefers to remain anonymous.

When Golden Soul Records approached me about their 100th release, it felt like the perfect moment to finally share Moonlights. It symbolizes reconnecting with my music and marks the beginning of a new chapter for Philosophy of Sound.

The production of Moonlights spanned several years. Can you walk us through the process and how the track evolved?
The process was unique and involved long pauses. Some elements were developed during my collaboration with Mirror People, but much of the track was reshaped during Melbourne’s Covid lockdowns. I worked on the arrangement outdoors in a park, which was a refreshing and inspiring experience.

Sebastian Barahona’s guitar brought an organic warmth to the track, and the lyrics and vocals added a layer of emotional depth that tied everything together. The extended timeline allowed the song to mature naturally.

The remixes on Moonlights add unique dimensions. How did Pete Herbert and James Rod & Aleito approach their versions?
Pete Herbert brought his signature disco-house energy, making his remix vibrant and club-friendly. On the other hand, James Rod & Aleito went for a darker, more atmospheric take, exploring textures that gave the track a cinematic feel.

Both remixes complement the original beautifully and offer listeners diverse ways to experience Moonlights. I’m thrilled with how they turned out.

Golden Soul Records celebrates its 100th release with Moonlights. What does it mean to be part of this milestone?
It’s an honour to be part of such a significant moment for the label. Golden Soul Records has always championed high-quality disco and electronic music, and being chosen for their 100th release is a privilege that I deeply appreciate.

After such a long break, what inspires you to continue creating music, and what can we expect next from Philosophy of Sound?
Music has always been integral to my life, even during the years I wasn’t releasing anything. The inspiration to create comes from connecting with people through sound and crafting something meaningful.

Looking ahead, I’m working on new projects that blend funky disco roots with modern electronic influences. There’s also an exciting project called “Alone in the City” that I can’t wait to share.

Listen to Moonlights now via Golden Soul Records.