“I always want to be growing as an artist” ADRIANNA interview.
ADRIANNA, an influential figure in the tech-house and techno scenes, is known for her energetic performances and dynamic production style. Her music seamlessly blends hard-hitting beats with powerful vocals, creating an immersive, impactful sound that has captivated audiences worldwide. Based in the UK, ADRIANNA has made waves with her innovative approach to electronic music, consistently pushing boundaries and attracting an ever-growing army of fans as a result.
Following the stunning chart success of her single WILD ELECTRIC and remixes from 808 State and Gregor Tresher comes the final remix of the summer from legendary Techno DJ, Producer, and label boss at Terminal M—Monika Kruse. As one of Europe’s true techno pioneers, she stands as one of the genre’s most loved artists, and it is an honour to hear her take on the original track. WILD ELECTRIC has been gracing the dance floors of Nightclubs and Festivals across Europe.
With the remix landing on 02 August, we thought it was about time we featured ADRIANNA as an artist to watch.
feeder: Your journey into music started with studying music production and gradually diving into Tech House and Techno. Can you tell us more about your early musical influences and how they shaped your current sound? Were there specific artists or experiences that particularly impacted your direction?
ADRIANNA: Music has always been a big part of my life; studying dance for many years from an early age exposed me to so many different genres and sounds. As for dance music, I was influenced by sounds from the 90s and early 2000s. Artists like Benny Benassi, Roger Sanchez, and Miss Kitten were some of my favourite influences.
You’ve performed in diverse locations like Ibiza, Cyprus, Mexico, and more. How do different cultures and settings influence your sets and music production? Are there any memorable experiences from these performances that have had a lasting impact on you?
Whenever I visit somewhere new, I love to listen to different music styles. Each unique culture has its own instruments, sounds and club environments, which can be very different. I always want to grow as an artist, and it’s important to me to learn something from what I’m taking in; even if it’s something small, it expands the way I create and play music. Each place has people who leave a lasting impression every time.
Your label, Temple House Music, has been a significant platform for your releases. What motivated you to create your own imprint, and what challenges have you faced in managing it? How do you envision the label’s role in the broader electronic music landscape?
For a long time, it’s something I always wanted to do. There are challenges day to day as it’s a learning process. We are new and still building the systems to streamline a lot of the processes. There is a lot from releases, artwork, social media, networking and running the events, but I have a great team of people. As we continue to grow the brand, we have exciting things happening with established and up-and-coming artists. As well as throwing more parties!
Collaboration is a key aspect of the music industry. You’ve worked with various artists and had your tracks remixed by others. Can you share your approach to collaboration and what you look for in a creative partner? Are there any upcoming collaborations you’re particularly excited about?
When working with other artists, all it comes down to is what they sound like. My latest release is a remix by Gregor Tresher, which I’m really excited about, and I have another upcoming remix, which is a career highlight for me by an artist I have looked up to for a long time. I’ve been playing it out in some of my sets, and it goes off!
Technology plays a crucial role in music production and DJing. How do you stay updated with the latest tools and software in the industry? Can you share any specific technologies or techniques that have been game-changers for your music?
For Djing, I am most happy with Pioneer CDJ-3000s, and the V-10 mixer, I like to use the RMX -1000 which has been around for a long time but is a great tool. When new equipment comes out, I try and get a chance to play on it as soon as possible so there are no surprises if it’s at a gig when I get there. As far as software goes for production, Logic has been my preferred DAW for a long time, creating templates is helpful.
Balancing a hectic touring schedule with studio time can be challenging. How do you manage your time effectively between producing new tracks and performing live? Do you have any routines or practices that help maintain your creative flow and energy levels?
For studio time, getting the creative ideas down is important while things are flowing. Getting a few tracks 75% there before going back and doing all the tidying up, mixing, and full arrangement is a technique that works for me. I frequently take breaks to rest my ears and listen back from other areas of the room. I find playing the track with other people also helps me hear it in a different way.
Your music often features a blend of intense beats and uplifting messages. How do you approach songwriting and lyrical content in your tracks? Is there a particular message or theme that you aim to convey through your music?
I think every song is different. Not every song will have uplifting vocals or intense beats every time, but I do like the combination of darker sounds with uplifting vocals. I like contrast, something unexpected that still works. I guess evoking connection through feelings that are relatable would be the theme I hope to convey.
The electronic music scene is constantly evolving. How do you perceive the current state of Tech House and Techno? What trends or changes do you find most exciting, and where do you see the genre heading in the next few years?
I like the rave and acid sounds that’s I’m hearing. I’m also a fan of the Latin and tribal percussion. I can’t speak for the entire scene but those are the sounds that I’m enjoying playing with and see keeping the dancefloor going, as well as an increase in tempo.
What’s the most unexpected or funny thing that has happened to you while performing live? Any memorable moments with the audience that you can share?
Before it was hard to get messages across to the DJ. You have no idea what people are saying with the music on, now people write messages on their phones and those can make for some unexpected, unshareabe things!
If you could create your dream festival lineup with any artists, past or present, who would be on it and why? What kind of vibe or experience would you want to create for the audience?
Carl Cox, Adam Beyer, Charelotte De Witte, Nina Kravitz, Monika Kruse, Deborah De Luca, Roger Sanchez, Hi-Lo, Eric Prydz, Benny Benassi, BK, Lisa Lashes, Miss Kitten. There are so many, we would need a few stages!
Wild Electric (Monika Kruse Remix) is out 02 August on Temple House Music